RIGID AND CHAIR BOUND – PASTEL AND PENCIL SKETCHES

Whilst manning a pop-up gallery recently, a painter I know came in and reminded me about a group we used to paint with. I hadnt been to that group since before Covid ( though I had heard that they were secretly running throughout the epidemic – but that’s another story). Also, since Covid they had, for various reasons, started meeting earlier, which makes it more awkward for me to attend. Anyway, last Wednesday I forsook my evening meal and made the effort to attend.

I’m glad I did. I enjoyed the evening, though there wasnt any direction to the model and we were presented, throughout the evening, to my eye, with various versions of someone sitting naked on a bus . The lighting was good, though, but I did have to prevent the organiser turning on all the lights and ruining its effect.

Afterwards, looking back over some earlier pre-covid drawings, what did I see? Similar seated poses, just different models – a bit like the other sketches I did on the night, shown below. Despite these moans, I will try and get back there as we have lost one life group around here completely and I am not getting much figurative practice these days.

Life and figure paintings are available for sale on my website: grahammcquadefineart.com

A DAY OF LIFE – ACRYLIC AND PENCIL

Saturday saw a now rare opportunity for me to do some life painting and drawing. This study above was done in acrylic. I decided to roughly paint areas of light and shade before I did any drawing and I was pleased with the energy this created in the final piece.

I did this second one in a similar way, but I felt it lacked something of the first study.

Perhaps it was the stiffer pose and the lighting not being as effective. At this point of the session, the guy running the show decided to have two models posing together. I decided to focus on just the female model because the male model was even more rigid as the quick sketch below left shows.

So, it was good to get at least one satisfying painting from the day, especially as I hadnt attended a life session since December. I must make more of an effort, but the thought of standing, cramped in a room with a whole bunch of artists for two or three hours is still unappealing – especially as I want to go on holiday in a few weeks time.

Other life paintings can be found on my website: grahammcquadefineart,com

A VISIT TO THE LIFE ROOM – ACRYLIC/PENCIL/PASTEL

Yesterday I went to a life session organised by a friend of mine. He runs it once a month. Despite the stiff poses it was good practice to work under a time constraint and here I managed to get around behind the model to catch him dozing off and paint this in acrylics.

The early poses had some life in them and got me back into the swing of things. Another weekly life session started up when I was on holiday the other week, but they decided to fold after two meetings. Such a shame, I was looking forward to restarting with the group on my return. The only other sessions around here are in small, crowded venues and with the level of contagion we have at present I am reluctant to join them. So it is a self inflicted exile.

The stiff pose did me no favours on this pastel. In hindsight I should have opted for a more focussed image, but I perversely wanted to draw the full figure and it suffers because of it. Still, I suppose that is what these sessions are for – making mistakes and learning from them.

Still, it was good to get back to something that I did two or three times a week before covid, though the way things are, my next session wont be for another month.

Other life paintings are available for sale on my website: grahammcquadefineart.com

RETURN TO THE LIFE ROOM – ACRYLIC, PASTEL AND PENCIL

On Saturday a friend of mine organised a life session and I took the opportunity to get back into the life room. It must be 15 or 16 months since I’ve done a live session with a model and despite the stolid poses it was good to get back. There is something about working under a time pressure – trying to get finished before the session moves on.

You can see the yellow throw served a number of purposes.

In the lockdown I have tried to develop drawings from sketchbooks, but I find that quick sketches lack information that a more developed painting requires, so I did try to focus on key shadow forms in some of my pencil sketches on the day so that I could take them further in the future.

I must see if other local groups have started up as despite all the angst I suffer with poor poses and indifferent lighting the sessions help to speed you up and get an image down quickly and the human form is a great measure of drawing accuracy.

Other life paintings are available for sale on my website: grahammcquadefineart.com

A FEW DAYS OF LIFE PAINTING – PASTEL AND GRAPHITE

Over the past three days I have been on a life drawing course with Crawfurd Adamson, a painter I have admired for a while. He employed good lighting and uses colour in an exciting and almost abstract style.

There were two models he used in a dynamic and interesting way and we started off with quick sketches trying to find a pose we could use for the next three days.

 

I then started painting with pastels, working around the models for the next few days. I was about the only one who moved, so I found myself having to squeeze in the few places left.

This was the first painting I did (above) and employs some of the scratchy application I have used in the past. Crawfurd showed me how he works with pastel and the way he applies it and in the next painting I used some of his techniques.

It was also good to see how I could further develop this as Crawfurd does work in many similar ways to me. He also has a similar approach to lighting and colour, which, though people on the course thought were theatric, suits me down to the ground.

A great way to spend a few days.

Other figurative works are available for sale on my website: grahammcquadefineart.com