I have mentioned a pile of problem paintings I have in my studio – paintings I like, but have a few issues with. This one directly above was an example. Mixing images and subjects resulted in the figure being too small for the railings and the colourings on the Bexhill Pavilion and the promenade being too dark and light respectively. So I had another go and produced the one at the top. I also took the opportunity to rearrange the figures.
I had similar issues with the painting looking the opposite way in the afternoon ( as opposed to the morning in the one above)
This one below was the first attempt;
The painting was odd in that I wanted to get the full width of the background buildings which consequently made for quite an expanse of foreground which was left a bit empty.
I hope this time the foreground has more presence and the figures aren’t as stiff. I also wanted to get more detail into the background to imply the jumble of structures there.
Lastly, there was the case of leaning Lord Street that I put out a few days ago. I thought that as I was on the topic of buildings I might as well round them all up. The one below was the original post.
So I set about it again and also tried to be a bit more subtle with the washes.
The other side of the De la Warr Pavilion complex in Bexhill, East Sussex, at the opposite end of the day from my last post. The hot afternoon light coming in over the sailing club and the and the yacht masts adding to the visual commotion of chimney pots, lamp posts and flagpoles. On windier days you can hear ghostly ringing as rigging ropes slap against the hollow aluminium masts.
I did this scene plein air and posted it a few weeks back. The field of view was much wider on that one as I am a sucker for chimney pots and thought those buildings provided a good coda. This one is much tighter and focusses on the area which really got my interest. The light on the sea in the background also caught my eye when I was strolling along the prom on an earlier occasion. However, when I sat down to paint, the sea was dark, the lighting effect only came out later. Anyway, I included it on this one.
Back to my seaside series, though this was from an image I took on Lake Garda years ago. I also did a watercolour of this a long while ago, but thought that it might be worth trying again in a loose style with acrylics. I am quite pleased with the result as the counterchange of light and shade give it a vitality and with the haze you don’t get bogged down with detail.
I have often walked in this direction in the evening on the Bexhill promenade in Sussex, England. The shapes of the buildings and the masts of the boats in the sailing club make intriguing shapes in the late afternoon light. I tried painting this but the large open space of foreground made it a little lifeless, even with the lead-in of the railings and beach huts on the left. In the end I added some figures. To some extent they seem to have taken over the scene, but I have tried to space them out so that the mass of buildings, masts and reflected light still make for a dynamic painting.
This painting is on my website grahammcquadefineart.com. Take a look.