PLEX MOSS LANE – WATERCOLOUR PAINTING

Here are a couple of old paintings I reworked recently. This one, of the local reclaimed farmlands behind our town and the roller-coaster lane that runs across it, was washed with water and almost half of the painting removed or reduced in tone. I then repainted the foreground. Hopefully it now has a softer feel. more appropriate to an early morning scene.

And another painting given a similar treatment. This one, of Rivington Pike, which you can see across the moss from Southport, where I live. A similar approach was done to this, washing off the lower half to increase the impression of morning light and then reworking the fore ground.

Both were long format paintings which I am presently short of, ready for any upcoming exhibitions.

At present I am working on some big commission pieces with one almost finished, allowing me to start on the second one. I have posted sketches of them earlier and hopefully will have something to show soon.

Other landscape paintings are available for sale on my website: grahammcquadefineart.com

RIVINGTON PIKE – WATERCOLOUR SKETCHES

On Monday we decided to visit a hill called Rivington Pike. It is on the western edge of the Pennines and is visible from where I live in Southport. I’ve never been there before because, even though it is fairly close, the roads to it aren’t direct. So here is a sketch from the top which will save you the effort of scaling it yourself, even though it is only 1200 ft high. This view points to the direction of Southport, but with the clouds on Monday, you couldnt see too far.

Above is the Pike viewed from Southport on a sunny morning from a painting I posted in January. In the first painting we are sat on the purple point at the top on this view.

The strange building you can see on the first painting is part of Lord Leverhulme’s ( Billy Lever of yore – founder of what is now, Unilever) country getaway, built on the side of the hill in the early twentieth century with ornamental lakes, gardens, bridges and a bungalow; somewhere the poor man could wander around and think undisturbed. This strange, incongruous tower was built for ornamental pigeons and doves that roosted on the first two floors and as a sewing and music room, for his wife, on the top floor. Whether he locked her in there wasn’t revealed. That may have been what he was thinking about – where he had left the key.

When you descend from the pike you go through Lord Leverhulme’s Folly and into a country park. In this park I was taken by the lush, verdant greenness enhanced by the sunshine. I thought that I would pause and paint the path leading down to the carpark. However, once I got started the clouds came over and ruined the dappled effects created by the sun and foliage and trunks of the oak trees which lined the path. I managed to get some of the shadows in on this one.

Other landscapes are available for sale on my website: grahammcquadefineart.com