I enjoyed loading up a large mop with masses of dark colour and floating the tip over the paper’s surface drawing out random patterns in this sketch. It will be worth trying again and getting the density of paint stronger. I had prepared a light underpainting first on this one, to try and get the swell and roll of water before going in with the reflections.
The second one is a half imperial sized version (52x36cm) of the sketch I put on the blog on the 12th February. I decided to go in even closer on this version. I was quite satisfied with this one, so hopefully you wont see this again.
Other seascapes are available for sale on my website: grahammcquadefineart.com
When I was on holiday I took many photos of waves in order to paint some seascapes on my return. I had these images on one of my memory cards which I placed inside my computer case for safe keeping. It didn’t work: I lost the card and with it many photos of my holiday. Fortunately I had two other cards full of images, but not many of the sea. Anyway I have a number of images from other stays by the seaside and a few on the other cards so I tried out some sketches.
Here are a few of them. I will try working these up to bigger paintings, in fact I’ve already started on one.
The last one is mixed media which is what I wanted to explore, but I was happy with the straight watercolours so I have decided to stay with that.
So there will be a few more paintings of the shoreline in the coming weeks.
Other paintings of beaches are available for sale on my website: grahammcquadefineart.com
In the end I plumped for something upbeat to start the new year with; the summer days to come – well at least for us poor northerners. This was taken from a place where everyone is currently luxuriating in hot summer holiday days.
It was either this painting or one of a hyena. I might keep that for the Chinese new year, well it is the year of the dog.
I did like the way the primary colours of the sunshade blaze out against the dark sea and the shaded figures contrast against the dry, hot sand.
I was thinking about entering the marine artists exhibition in London. I had a couple of suitable paintings but wanted something a little different so that I could judge what it is that they are looking for a bit better and worked up this idea. Now that it’s complete I’m a little underwhelmed by it. I have got tighter than I would have liked. I’ll prop it against the wall and have a look at it over the next week or so and make my mind up. I have used motifs that I have used as subjects before, in case you are wondering whether you’ve already seen it.
Ever taken on a project that has turned into long running saga? Here’s mine – after months of work. I wanted a large piece for a stairwell on a sea theme. I was intrigued by the structure of waves in water where, within each wave, there are other levels and wavelets – the notion of fractals and ever repeating patterns and forms.
As I built the piece I was taken by the anthropomorphic array of the blocks, reminding me of serried ranks of Chinese warriors or in this case the throngs who try to cross seas in search of some form of a normal life. The colours perhaps reflect the failure and success of these individuals.
The wooden blocks were made from a couple of gates that I replaced. My neighbour didn’t want any more of the wood for their stove as the paint on the wood generated a lot of ash, so I took to cutting it down into strips to make the piece. It had an extra kind of resonance that the work is made from a gate.
After all this time, and having been able to mount it on a wall, I think it could be modified further, for better impact, so I fear it could be a few more months of work yet.