AFTER THE STORM – WATERCOLOUR PAINTING

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I put this out in October 2015 on this blog and then entered it into a number of local exhibitions but there were no takers. It also resided on my websites for a year and a half  and with the lack of interest I decided to replace it on my main website, but last week someone saw it on one  of my other websites which I dont update too often and they bought it. It just takes the right person to come along  and see it and you have a sale.

It has made me resolve to check what I do have out there on the web as it might have been embarrassing if I had cut it up and used it as scrap paper which I am prone do when practising techniques or developing paintings.

Other seascapes and watercolours are available on my website. Get them whilst you have the chance : grahammcquadefineart.com

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BOTH SIDES OF THE ARGUMENT – WATERCOLOUR SKETCHES

 P1020552(1)a     We have taken a trip down south and I have had some time to do a bit of sketching. This one is from the cliffs at Entretat in Normandy, France. The one below, and less successful,  is from the other side of the channel near Beachy Head, close to Eastbourne in Sussex, done a couple of days before.  I just like the juxtaposition of the two sketches and the fact that despite the fifty or so miles of sea in between, the topography is identical.

P1020551(1)aOther landscapes are available on my website: grahammcquadefineart.com

STORM PATROL – WATERCOLOUR SKETCH

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I was watching some TV about seabird colonies in Scotland and the scenes of the wild sea made me want to try some techniques I saw in a book by Nita Engle. There is no brushwork in this painting except to use them to flick paint onto the paper and a little bit to finally render the seabirds. She actually uses an applicator to squirt the paint onto the paper so that you can get regression with the waves – a degree of control  that you cant achieve by flicking.

I did a second painting – Headland – which more reflected the programme, although the headland just appeared out of the marks so I did use a bit of brushwork to bring it to prominence .

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I might use some pipettes I have to mimics the spray application and gain a bit of control with the waves.  However I do love the wildness that this approach brings. So I might bore you with another one soon.

Other seascapes and landscapes available for sale on my website: grahammcquadefineart.com

 

TIPPING POINT – WATERCOLOUR PAINTING

P1020413(1)I was going to do this as a mixed media piece with pastels, similar to an earlier one of waves I did, but as I started painting I wondered whether it could be all done in watercolour, so this is the result. Using pastels allows a more gestural approach with the mark making which I suppose is more reflective of the restlessness of the sea, so I am wondering if this is a little static. I’ll ponder a little further.

Other seascapes and landscapes are available for sale on my website: grahammcquadefineart.com

THE WINTER SUN AT FORMBY POINT – WATERCOLOUR PAINTING

p10203751I mentioned in my post of Birkdale beach how, if the marram grass doesn’t establish you get sand that extends into the sky. This is another painting for my upcoming exhibition on local landscapes. I originally did it half imperial, 52×36 cm, but wasn’t happy with it so I cropped it to 25x36cm. I think it says the same thing only more eloquently.

Here is the original:

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Other paintings of Southport and beyond are available for sale on my website: grahammcquadefineart.com

 

RED SEA – MIXED MEDIA

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Ever taken on a project that has turned into long running saga? Here’s mine – after months of work. I wanted a large piece for a stairwell on a sea theme. I  was intrigued by the structure of waves in water where, within each wave, there are other levels and wavelets – the notion of fractals and ever repeating patterns and forms.

As I built the piece I  was taken by the anthropomorphic array  of the blocks, reminding me of serried ranks of Chinese warriors or in this case the throngs who try to cross seas in search of some form of a normal life. The colours perhaps reflect the failure and success of these individuals.

The wooden blocks were made from a couple of gates that I replaced. My neighbour didn’t want any more of the wood for their stove as the paint on the wood generated a lot of ash, so I took to cutting it down into strips to make the piece. It had an extra kind of resonance that the work is made from a gate.

After all this time, and having been able to mount it on a wall, I think it could be modified further, for better impact, so I fear it could be a few more months of work yet.

Other abstract paintings and sculptures are available on my website: grahammcquadefineart.com

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THE PATH TO THE BEACH – WATERCOLOUR PAINTING

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There was almost as much paint removal as actual painting in this one as I tried to  get the dark textures in the foreground. I added some figures at the end which do draw the eye through. I loved the dark shade leading out into the bright light.

Other coastal and seaside paintings are available for sale on my blog: grahammcquadefineart.com