I have a pile of paintings in my studio that await the resurrection. I have misgivings about them and they wait, hoping that one day I can better resolve them. The first version of this was near the top of that pile. I put it on this blog in April 2018. In that one I felt the the leaf shapes were a bit repetitive and I had them going under one another and coming out the other side, so things got complicated. I also felt some of the panels were a bit dull.
So here is the born-again replacement. The new, more varied, leaf shapes were harder to arrange to get the paneling I required and the greater detail in the nature panels, though more satisfying, might cause confusion.
I have resolved the shortcomings of the first one but may have created new ones – you can but try.
Other townscapes, landscapes and seascapes – but unfortunately no factoryscapes – are available for sale on my website: grahammcquadefineart.com
The other side of the De la Warr Pavilion complex in Bexhill, East Sussex, at the opposite end of the day from my last post. The hot afternoon light coming in over the sailing club and the and the yacht masts adding to the visual commotion of chimney pots, lamp posts and flagpoles. On windier days you can hear ghostly ringing as rigging ropes slap against the hollow aluminium masts.
We flew into Hanoi and almost as soon as we arrived we were whisked off to Halong Bay. It was impressive, but very similar to Krabi in Thailand with less sunshine and even more tourists – this was industrial tourism.
I had wanted to get the limestone stacks in a sunset or sunrise. Unfortunately I was swimming at sunset and the sunrise was a cloudy affair. Still I did get some good photos.
As for Hanoi. We were only there for a matter of hours, staying near the old quarter. It was pandemonium. I would have loved to see more – but perhaps my health wouldn’t have taken it. We had to get the night train out and head south to Hue.
OK an old image for the New Year, but I wasn’t happy with my first attempt at ‘Entering Ainsdale Woods’. So here’s a second go and a title that saves overtaxing the troll’s sticky fingers.
I always have difficulties with light foregrounds against dark backgrounds and on the first one I had to resort to gouache to make some reclamations. I also felt the background tree trunks were too uniform and the dog needed repositioning. The first one looked quite good on the screen but the original didn’t stand up to close scrutiny – so that’s why you’re getting it again. This one has a lighter touch and brings out the sunlight on the autumn leaves which was something I was after.
So in compensation for repeating work, here’s a second painting, this time a repeat of ‘Receding Tide’. Hopefully I have now got the still wet feel of the shingle which I felt was missing on the first go and I extended the amount of shingle to break up the textures .
I wanted to try out some textures on this one with the sky, sea, rocks and pebbles all requiring different approaches. I would like to have added further detail and texture, such as building up the seaweed and pebbles, but was aware that I was getting too fussy. It was a good exercise and like so many paintings, you get to the end and realise that there were slicker and better ways of achieving your aims. So perhaps another go later.
After this dose of waveforms I will return to dry land on my next blog – promise. The handing in day for the exhibition is this Thursday, so I am still looking for a painting to replace the original wave I was going to submit, as I mentioned in my previous blog. After doing this one above, I realised that a simple waveform could convey more energy than the more complex one in my last post. I was certainly pleased with this and the serenity it conveyed but I wanted to have another go at the one with rocks and here it is, below.
So one goes into the exhibition, well to the selection panel, anyway.