After this dose of waveforms I will return to dry land on my next blog – promise. The handing in day for the exhibition is this Thursday, so I am still looking for a painting to replace the original wave I was going to submit, as I mentioned in my previous blog. After doing this one above, I realised that a simple waveform could convey more energy than the more complex one in my last post. I was certainly pleased with this and the serenity it conveyed but I wanted to have another go at the one with rocks and here it is, below.
So one goes into the exhibition, well to the selection panel, anyway.
I was assembling some paintings for the town’s big exhibition which takes place in the main Art Gallery. I had a few lined up for submission but last Saturday I got a call from my framer who asked if I still had my painting of a wave. This was going to be one of my entries. I took it around to my framer who duly sold the painting to a guy who had seen it when it was displayed there in March and who waited until now to make some enquiries.
It was a nice problem to have and I thought I would do another couple and see how they turned out. Above is the first one. A second is in progress. I included some rocks on this one and really like their warmth against the cool colours of the sea.
It may be a bit over complicated when compared to the one I sold ( and displayed in February on this blog). I certainly liked the first one’s simplicity, which is maybe why it caught the eye of the buyer – see below.
In the end I plumped for something upbeat to start the new year with; the summer days to come – well at least for us poor northerners. This was taken from a place where everyone is currently luxuriating in hot summer holiday days.
It was either this painting or one of a hyena. I might keep that for the Chinese new year, well it is the year of the dog.
I did like the way the primary colours of the sunshade blaze out against the dark sea and the shaded figures contrast against the dry, hot sand.
On to the small seaside resort or Hermanus. The backdrop to this town is spectacular with it’s high mountains. Literature said that there could be sightings of whales from the shore, but I think we were a little late in the season and unlike the unpretentious town of Mossel Bay where you could watch dolphins cavort and surf in the waves here there were just a few fishermen catching crayfish.
However, the long walk along the front of the town was worth doing and this was where I painted the view above looking over the fynbos, which is Mediterranean type scrub, on top of the low cliffs back to the town centre.
This was the view from the hotel window, in the middle of the town, out to the new harbour. The waves crashing into the shore in the evening light were quite a sight which I havent really managed to capture.
We walked along the cliffs to the new harbour, but it was a rather sad affair. Hermanus is really missing a trick or two in not developing its old or new harbour areas. Maybe the town will wake up one day.
Down to Plettenberg bay. We had a 10k walk along the Robben Peninsular which, I was told later, a few dont return from. At the end it was hard going but we made for a pristine beach where the breakers pounded in and I rested my weary bones and did this sketch after cooling my feet in the crystal sea.
Another sketch from the same area on a different day. The cliffs tower above you though I think rockfalls are rare, they do occur from time to time.
I have seen a number of poured acrylics recently and decided to have a go myself. I have always liked the effects of poured paint and experimented with it around ten years ago with oil based gloss paint and below is one of my more successful ventures, Marrakech, which, because of the lightfastness of the gloss paint, now hangs in my conservatory.
I did not think you could get the same filigree effects with acrylics that you could get with the more viscous oil paint and so mainly used the liquid acrylics in a more dilute way such as in Dancing the Blues Away, which I posted some time ago, in 2015, on this blog.
So my prejudice has been exposed and I realise it might be worth experimenting with the liquid acrylics in a more concentrated form. I must admit my first attempt included as much manipulation as pouring as I played around with the paint with a palette knife, but the strands and swirls gave a satisfying result and looking at some of the work other people have produced, further variations can be had with the addition of silicone oil. I will be having a few more goes.
I put this out in October 2015 on this blog and then entered it into a number of local exhibitions but there were no takers. It also resided on my websites for a year and a half and with the lack of interest I decided to replace it on my main website, but last week someone saw it on one of my other websites which I dont update too often and they bought it. It just takes the right person to come along and see it and you have a sale.
It has made me resolve to check what I do have out there on the web as it might have been embarrassing if I had cut it up and used it as scrap paper which I am prone do when practising techniques or developing paintings.
Other seascapes and watercolours are available on my website. Get them whilst you have the chance : grahammcquadefineart.com