In the end I plumped for something upbeat to start the new year with; the summer days to come – well at least for us poor northerners. This was taken from a place where everyone is currently luxuriating in hot summer holiday days.
It was either this painting or one of a hyena. I might keep that for the Chinese new year, well it is the year of the dog.
I did like the way the primary colours of the sunshade blaze out against the dark sea and the shaded figures contrast against the dry, hot sand.
On to the small seaside resort or Hermanus. The backdrop to this town is spectacular with it’s high mountains. Literature said that there could be sightings of whales from the shore, but I think we were a little late in the season and unlike the unpretentious town of Mossel Bay where you could watch dolphins cavort and surf in the waves here there were just a few fishermen catching crayfish.
However, the long walk along the front of the town was worth doing and this was where I painted the view above looking over the fynbos, which is Mediterranean type scrub, on top of the low cliffs back to the town centre.
This was the view from the hotel window, in the middle of the town, out to the new harbour. The waves crashing into the shore in the evening light were quite a sight which I havent really managed to capture.
We walked along the cliffs to the new harbour, but it was a rather sad affair. Hermanus is really missing a trick or two in not developing its old or new harbour areas. Maybe the town will wake up one day.
Down to Plettenberg bay. We had a 10k walk along the Robben Peninsular which, I was told later, a few dont return from. At the end it was hard going but we made for a pristine beach where the breakers pounded in and I rested my weary bones and did this sketch after cooling my feet in the crystal sea.
Another sketch from the same area on a different day. The cliffs tower above you though I think rockfalls are rare, they do occur from time to time.
I put this out in October 2015 on this blog and then entered it into a number of local exhibitions but there were no takers. It also resided on my websites for a year and a half and with the lack of interest I decided to replace it on my main website, but last week someone saw it on one of my other websites which I dont update too often and they bought it. It just takes the right person to come along and see it and you have a sale.
It has made me resolve to check what I do have out there on the web as it might have been embarrassing if I had cut it up and used it as scrap paper which I am prone do when practising techniques or developing paintings.
Other seascapes and watercolours are available on my website. Get them whilst you have the chance : grahammcquadefineart.com
I was thinking about entering the marine artists exhibition in London. I had a couple of suitable paintings but wanted something a little different so that I could judge what it is that they are looking for a bit better and worked up this idea. Now that it’s complete I’m a little underwhelmed by it. I have got tighter than I would have liked. I’ll prop it against the wall and have a look at it over the next week or so and make my mind up. I have used motifs that I have used as subjects before, in case you are wondering whether you’ve already seen it.
I was going to do this as a mixed media piece with pastels, similar to an earlier one of waves I did, but as I started painting I wondered whether it could be all done in watercolour, so this is the result. Using pastels allows a more gestural approach with the mark making which I suppose is more reflective of the restlessness of the sea, so I am wondering if this is a little static. I’ll ponder a little further.