I put this out in October 2015 on this blog and then entered it into a number of local exhibitions but there were no takers. It also resided on my websites for a year and a half and with the lack of interest I decided to replace it on my main website, but last week someone saw it on one of my other websites which I dont update too often and they bought it. It just takes the right person to come along and see it and you have a sale.
It has made me resolve to check what I do have out there on the web as it might have been embarrassing if I had cut it up and used it as scrap paper which I am prone do when practising techniques or developing paintings.
Other seascapes and watercolours are available on my website. Get them whilst you have the chance : grahammcquadefineart.com
I was thinking about entering the marine artists exhibition in London. I had a couple of suitable paintings but wanted something a little different so that I could judge what it is that they are looking for a bit better and worked up this idea. Now that it’s complete I’m a little underwhelmed by it. I have got tighter than I would have liked. I’ll prop it against the wall and have a look at it over the next week or so and make my mind up. I have used motifs that I have used as subjects before, in case you are wondering whether you’ve already seen it.
I was going to do this as a mixed media piece with pastels, similar to an earlier one of waves I did, but as I started painting I wondered whether it could be all done in watercolour, so this is the result. Using pastels allows a more gestural approach with the mark making which I suppose is more reflective of the restlessness of the sea, so I am wondering if this is a little static. I’ll ponder a little further.
I am getting together for another exhibition of local landscapes which feature the land between the Mersey and Ribble Estuaries. Here is one I’ve just done of the local beach, where to many of the locals’ dismay, the marram grass is taking over. As it grows it traps windblown sand creating little islands amid the residual tidal water. It is rather ironic that where they let the cars on the beach, much to the irritation of others, the plant cant get a foothold and the flat sands stretch out seemingly forever. I must say I like this variation of the beach.
There was almost as much paint removal as actual painting in this one as I tried to get the dark textures in the foreground. I added some figures at the end which do draw the eye through. I loved the dark shade leading out into the bright light.
I’ve been a bit busy this week with an exhibition running and another starting next week, I suddenly realised my blog needs a new posting. So here it is, continuing with the beach theme. A bit more colourist than my normal fair, but I suppose I need to relieve the muted tones occasionally, just in the name of variety.