I just wanted some fun: a break, so I upped myself off to Camps Bay near Cape Town by gathering together some of my old photos and painting me a little time on the beach.
The yellow of the umbrella is just the base colour left untouched. I use yellow as a priming colour as I have a big tin of it that was on offer. I then blocked in the image with square brushes. I liked the shapes created by the two under the shade with a few sunlit edges creating hints as to the form – and then the colours of the umbrella…
Other beach scenes are available on my website: grahammcquadefineart.com
The other side of the De la Warr Pavilion complex in Bexhill, East Sussex, at the opposite end of the day from my last post. The hot afternoon light coming in over the sailing club and the and the yacht masts adding to the visual commotion of chimney pots, lamp posts and flagpoles. On windier days you can hear ghostly ringing as rigging ropes slap against the hollow aluminium masts.
A day at the seaside up in Cumbria: I spotted these rock poolers on their summer holidays and took a few photos. The lad quickly wandered off but I caught a pose as he stood by another pool and in this painting drew him in a position that gave some narrative.
Rushing around looking at replacement paintings for the exhibition after the sudden sales, I considered a number of local landscapes for display. Some I had affinity for but was reluctant to put on show. So when the dust settled last week I thought that I should see whether I could get them to a stage where I would put them in a frame to exhibit.
This is the first one – the beach at Southport in the evening. The first version was quite large – a half imperial sheet. I realised I could get the essence by compressing it, with the sand, grasses and reflections on the water constained by a narrow format. I also kept a tight reign on the hue, reflecting the beach in the sky.
OK an old image for the New Year, but I wasn’t happy with my first attempt at ‘Entering Ainsdale Woods’. So here’s a second go and a title that saves overtaxing the troll’s sticky fingers.
I always have difficulties with light foregrounds against dark backgrounds and on the first one I had to resort to gouache to make some reclamations. I also felt the background tree trunks were too uniform and the dog needed repositioning. The first one looked quite good on the screen but the original didn’t stand up to close scrutiny – so that’s why you’re getting it again. This one has a lighter touch and brings out the sunlight on the autumn leaves which was something I was after.
So in compensation for repeating work, here’s a second painting, this time a repeat of ‘Receding Tide’. Hopefully I have now got the still wet feel of the shingle which I felt was missing on the first go and I extended the amount of shingle to break up the textures .
I wanted to try out some textures on this one with the sky, sea, rocks and pebbles all requiring different approaches. I would like to have added further detail and texture, such as building up the seaweed and pebbles, but was aware that I was getting too fussy. It was a good exercise and like so many paintings, you get to the end and realise that there were slicker and better ways of achieving your aims. So perhaps another go later.
Taking a break from my series of watercolours, I thought that I would do something with acrylics. I have to give an acrylic painting demonstration in Blackpool next week and decided to feature this piece which I posted on my blog some years ago. It is done with square brushes to block in colour and, hopefully, encourages looseness and produces a more painterly piece, which some people prefer. I like to have a run through of a demonstration to ensure that I can complete it in the allotted time and this one is a bit bigger than the normal size I demonstrate.