MORNING AT AINSDALE WOODS – PASTEL PAINTING

I attempted this small painting three times until I was happy with it. This version was done on Pastelmat support and it gave me the saturation I was after. For the background sky I scraped different pastels onto the board and wet the scrapings with a brush to get an even transition of colours.

The first attempt was done on pastel paper. This is the one below. Here, I used gouache to get the background sky, not pastel, as I did above.

The pastel colours do not sing out and appear flat and dull to me. I also felt there was too much foreground. So I tried again:

This time I obtained the background sky, as I did with first painting – scraping various pastels and wetting the scrapings to get an even background on pastel paper. I also reduced the foreground. It had a better saturation of colour at the end, but some of the darker colours failed to sing out. So that was when I resorted to the pastelmat.

I have used Clairefontaine pastelmat in the past and have always been happy with the results. I did not use it much as I couldnt find any larger sheets of it. The top painting was done on a 30x40cm sheet. Recently, someone told me bigger sheets were available and now I can get 50x70cm sheets which allows me to tackle slightly bigger pieces.

The downside of the pastelmat is the price and the lack of even bigger sheets. However, I wont be using it for life painting, and it is here where I go even larger, but it will allow me to do my small and medium size paintings and get some great vivacity of colour.

Other landscapes are available for sale on my website: grahammcquadefineart.com

THE BUS ARRIVES ON LORD STREET – WATERCOLOUR PAINTING

Another in a long series of paintings of my town’s main street. There are a couple of exhibitions coming up that are held on this street, so it is useful to have something of local interest to display. Add that to the fact that I am a sucker for the winter sunsets here – a painting is inevitable. There may be another to come.

Other Lord Street paintings are available for sale on my website: grahammcquadefineart.com

THE STATIONMASTER’S HOUSE – PEN AND WASH SKETCH

I have been asked to do an illustration for a neighbour. It is of the building involved with a project that he has been running. The building is, in my eyes, boring, but the project means a lot to him. This is the second sketch I have done. The first involved combining the front with the back of the building in an effort to shake things up a bit. He didnt like that, so I went with a bog standard view – though on the right of the illustration above, I did a pen and wash whilst on the left it is a standard watercolour format. At the moment the jury is out and he will be getting back to me.

The project is about replacing the old council- run local library which the council sold off and is now a small housing estate. Locals got together and established a small library and community centre at the old station masters house that is owned by the Mersey Rail Company and loaned to the group. This house is attached to the local railway station and, up to this point, was empty. The community centre is now up and running and my neighbour wants a momento of the hard work put in by him and the rest of the team.

I find commissions quite challenging, as left to my devices I would be off in one direction, but as a commission I feel I must be meeting the tastes of my client – that’s where it can get difficult. Hopefully a compromise is in sight.

other townscapes are available for sale on my website: grahammcquadefineart.com

EARLY MORNING ACROSS THE MOSS – WATERCOLOUR PAINTING

One from the archives – it’s been a busy week.

This is the view I used to see as I cycled to work across the fields behind our town. The sun rising and a mistiness still clinging to the low reclaimed marshland. Occasionally you’d spot the ghostly form of a barn owl swooping above the ditches and reed beds.

The painting now resides in my neighbour’s house. They used to take the same trip – but in a car, not on a bike.

Other landscapes are available for sale on my website: grahammcquadefineart.com

BIRD FEEDERS – WATERCOLOUR PAINTING

Well, I couldnt resist taking a few pictures of this couple down at our local lake, feeding the birds. More so, because it was into the sun and the birds sang out like jewels – helped by the dark shadow cast by one of the stores in the nearby retail park. Then there was the plastic bag held by the woman, the biggest diamond, catching the sunlight.

Not one I’d like to do plein air neither for its complexity nor because of the chill wind down there that day, but it was a nice little exercise in the warmth of my studio, arranging and adjusting the players and building up the tones.

Other park scenes and animanl paintings can be found on my website: grahammcquadefineart.com

EDGE OF THE FOREST – WATERCOLOUR PAINTING

Another view of my local woods at Ainsdale. This time it wasnt so much the light that attracted me – but the colours. The orange and yellows pitted against a blue grey background. I also loved the mistiness and mystery of the forest beyond, with ghostly shapes of pine trees appearing and disappearing.

Then there was the bracken – always a pain to paint – well it is for me. I viewed it as a challenge and I think it comes over as the ragged mess that it always seems. I did think of leaving it out altogether but the dead orange foliage might have been too much on its own and the bracken sets the scene and leads the viewer into the action. Well, that was the plan.

Many other forest scenes are available for sale on my website: grahammcquadefineart.com

LIGHTING THE PATH – WATERCOLOUR PAINTING

Another in my sporadic woodland series illustrating the magic conjured by light and shadow. You may be flagging of the subject, but I never tire of these scenes that I happen upon in our local woods at Ainsdale. This is one of the many pathways that criss-cross the forested dunes and at the end; a beckoning light, just over the horizon. It makes me realise how superstitions grow.

Other woodland scenes are available on my website: grahammcquadefineart.com

SUNLIT BIRCHES BY THE FOREST PATH 2 – PASTEL PAINTING

A few weeks ago I posted a version of this painting of Ainsdale Woods, near Southport, where I live and multiplemichael multiplemichael offered the criticism that it lacked a focus. I thought that I would repeat the painting and test this idea out. The only way I could introduce a focal point and maintain the spirit of the piece, as far as I could see, was to place two sunlit birches into the foreground to lead the eye into the scene and onto the spotlighted trees which was my initial impetus for the piece.

So here is my interpretation and I do think that the addition brings something extra to the image. Though, as is often the case when you repeat any painting, some of the subtleties of the first painting, which I liked, got lost. I may be able to regain these by further small adjustments.

A big issue I have had is getting a faithful reproduction of these images which, having a wide tonal range, can give some strange colour effects.

I have put a copy of the first version below for comparison. I certainly appreciate any critical comments, as it makes me aware of issues I may have overlooked. It can prove very useful and I value it higher than praise.

Just a pity the spineless troll doesnt possess the same skillset, then it might be worth reading its splenetic autorepeat-rants.

Other forest scenes are available for sale on my website: grahammcquadefineart.com

EVENING SHOPPERS ON LORD STREET

I have painted and posted a version of this scene before, in 2019. It is of our main street in town on a winter’s evening, just as the sun is going down. I was never completely happy with it and it never sold – always a sign -yet I did like the basic concept. Now there is less detail in the upper buildings, lights in the shops under the arcade and a whole new crew of pedestrians. I also tried to do it in single washes, mixing paint on the paper to prevent muddiness.

So even though there still are some minor issues – but what painting doesnt have them – I am much happier with the outcome and we will see if this version sails off to someone else’s wall.

Other townscapes are available for sale on my website: grahammcquadefineart.com

OTTER AND OTTER – WATERCOLOUR PAINTINGS

Our pop-up exhibition in the Wayfarer’s Arcade in Southport has started and I have manned it on two occasions. Visitor numbers on Sunday were lowish though we managed to sell four paintings, but on Friday we only had 4 visitors all day – the worst I have ever known in the eleven years we’ve been doing this – happily, we did manage to sell one painting.

So you have a lot of time to kill waiting for the crowds. I did the painting above on Friday. A rather flippant comment on climate change, though perhaps apt to feature an animal that is listed as vulnerable.

I did the second one, above, on Sunday – a view of our local pier at Southport at sunset. A view I’ve done before, but this time from a slightly different angle in order to flatten out the subject to be able to present in a squarer format.

There are planty of paintings awaiting a new home on my website: grahammcquadefineart.com