This view is from an early morning outing I did at the end of April and from which I’ve already posted a number of paintings, around 6 I think so it was a productive morning although I paid the price as my bike got a puncture and I had to walk the last 4 miles home.
This view allowed me to play around with some textural work, something that I am experimenting with watercolour at the moment.
I decided to work up a couple of paintings I did as plein air sketches and posted a few weeks ago. I was a bit disappointed with the results and am trying to work out why I feel this way. I think this one could have been done with more textured foreground and less of the ploughed field although I do have a problem with the large amounts of green that that might produce.
This second one might do with increasing the contrasts but again I am concerned with masses of green. I will leave both in the studio and mull over them whilst I get on with something new.
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Before my hip operation I tried to get out and about and do some plein air painting whilst I still had my mobility, but the weather quickly deteriorated towards the end of May so here are my only offerings. Ironically just over the hill and trees in this painting is the hospital I had my operation in.
Actually when I came out here I thought that there were some better views, but as I walked about, what I thought could be subjects weren’t that good. This seems to be one of my problems with painting outdoors. Eventually I settled on this view, though I did enjoy painting in the late evening sun.
I walked over the bridge and came down onto the canal bank and saw this narrowboat that I thought was mooring for the night. The low sun on it against the dark background was very alluring, so I set up to paint it. I got my initial drawing done, catching the owner on the back of it. I hadn’t even finished the drawing when the guy opened up the throttle and my subject sailed away. So I had to make it up and in so doing I think I lost a lot of impact. If only I had taken my camera. Another of plein air painting’s perils.
Another view of the lane that cuts across the moss behind where I live heading inland. Many a car has finished up in this ditch due to driver inattention. I love the misty light in the mornings here, probably caused by temperature inversion on this low lying land. The road seems to roll out to infinity in the blinding light.
I suppose that this could be me on the bike, but the guy sped past as I was gazing at the scenery. This is another view from the set of paintings I did after an early morning cycle ride in April – other paintings have been posted over the last few weeks. I added the sheep for a bit more animation, but apart from that it is pretty much as it was – a magnificent morning, well apart from the puncture and the walk home.
Another image from my early morning cycle ride the other week. I loved the way the buildings become part of the trees, emerging out of the woods. It appears that there is quite a tight chromatic range, but I used more colours on this than the previous paintings where I used just three. Here I used six colours. Not sure if it is very commercial, but I am taken by its earthiness.
Continuing with images from my cycle ride the other morning. This is again done in three colours UM blue, Cad red and yellow, but the red is subdued to give a tighter chromatic range. I love the counter changes of light and shadow.