I have been a bit busy sorting out things for my exhibition which I am going to set up tomorrow. This morning I decided to do a sketch from our last day in Bangkok.
We weren’t leaving until the afternoon and as we had held our room we took the boat up to the main riverboat and rapid transport terminal of Sathorn and walked around the streets and alleyways that surrounded the terminal.
The whole placed teemed with activity and industry from cafes to engineering workshops. You get the feel that the skyscrapers are slowly taking over and there were building sites with lorries squeezing into them delivering materials and everyone worked around each other, all quietly going their own way and all the time the highrises crept forward.
All day long trains of barges carrying the city’s rubbish (I’ve been told) are towed down the main river, seaward. The barges are low in the water as they depart the city ( see a train of them below the reflection of the tall building) and then they return. bouyant, like corks. I must find out where it all goes to.
In Siem Reap in Cambodia (the city’s name means Defeat of Thailand – no punches pulled there) we sat in the park with the flying foxes roosting in the trees. Groups of tourists were brought to see them and as the guide spoke , enterprising icecream sales people swooped to feed the stationary tourists.
A few days earlier in Ho Chi Minh City in Vietnam we sat in another park. A group of children sat to my left painting, Tai Chi sessions were everywhere and one man even washed himself,( sorry, I wasnt quick enough with my camera as he shoved the hose pipe down his shorts to clean the nether regions) then cleaned his bike, changed his clothes and after donning a new hat – he wore a grubby old hat whilst cleaning his bike, – rode off into the traffic.
Before Christmas there was a call for paintings of Liverpool for a book entitled The Liverpool Art Book. The authors have done a number of other cities starting with the Cambridge Art Book. They use quirky media such as CAD, collage and screen print etc so I thought my images might be a little staid. I also thought that they would want images of major landmarks.
This week they got back to me and said that they wanted copies of two of my paintings. One was a watercolour that could be of anywhere. I called it Shopping Can Create a Thirst and it was from images taken in Liverpool One (the main shopping area in Liverpool). I was pleased with the painting – but I actually threw it in the entry by accident.
I suppose the second one was more what I thought that they might want – it was a pastel of the area close to the waterfront
It is called Crossing the Strand and shows the Liver Building in the Background.
I have posted both these paintings in the past, but I must admit their selection was a bit of a surprise. Still at least I got two in. The book is supposed to come out later in the year.
The repeat season continues with this offering. I posted a sketch of this before Christmas and now a more considered attempt. At least I got the buildings upright this time and achieved the smokiness you see in this contra-jour view. This is the waterfront at Liverpool and The Liver Building casts a shadow over the procedings.
Another sketch just to get the feel of the subject. I had come out of a life session and was getting the train home. The sunshine was bright and the figures were set in deep contrast making me get my camera out. If I do it again I must get the tracks right – it looks like a model railway and there isnt a conductor rail but the use of masking fluid to get the glinting tracks worked better than I thought it would.
I used my liquid acrylics to start this off and am quite pleased with some of it. Other parts are a bit more pedestrian than I would have liked – and I dont mean the figures crossing the road.
I did a similar thing last year, which I posted, even using a few of the same motifs, as you can see below, and got similarly bogged down with an illustrative approach. The liquid acrylics helped liven up proceedings in the latest painting and, I feel, opened up some options. Every time I see the painting, I add or change bits of it, so maybe it isnt finished yet.
I need to try developing the approach on another image and see if I can avoid some of the pitfalls that beset me.