Before Christmas there was a call for paintings of Liverpool for a book entitled The Liverpool Art Book. The authors have done a number of other cities starting with the Cambridge Art Book. They use quirky media such as CAD, collage and screen print etc so I thought my images might be a little staid. I also thought that they would want images of major landmarks.
This week they got back to me and said that they wanted copies of two of my paintings. One was a watercolour that could be of anywhere. I called it Shopping Can Create a Thirst and it was from images taken in Liverpool One (the main shopping area in Liverpool). I was pleased with the painting – but I actually threw it in the entry by accident.
I suppose the second one was more what I thought that they might want – it was a pastel of the area close to the waterfront
It is called Crossing the Strand and shows the Liver Building in the Background.
I have posted both these paintings in the past, but I must admit their selection was a bit of a surprise. Still at least I got two in. The book is supposed to come out later in the year.
The repeat season continues with this offering. I posted a sketch of this before Christmas and now a more considered attempt. At least I got the buildings upright this time and achieved the smokiness you see in this contra-jour view. This is the waterfront at Liverpool and The Liver Building casts a shadow over the procedings.
Another sketch just to get the feel of the subject. I had come out of a life session and was getting the train home. The sunshine was bright and the figures were set in deep contrast making me get my camera out. If I do it again I must get the tracks right – it looks like a model railway and there isnt a conductor rail but the use of masking fluid to get the glinting tracks worked better than I thought it would.
I used my liquid acrylics to start this off and am quite pleased with some of it. Other parts are a bit more pedestrian than I would have liked – and I dont mean the figures crossing the road.
I did a similar thing last year, which I posted, even using a few of the same motifs, as you can see below, and got similarly bogged down with an illustrative approach. The liquid acrylics helped liven up proceedings in the latest painting and, I feel, opened up some options. Every time I see the painting, I add or change bits of it, so maybe it isnt finished yet.
I need to try developing the approach on another image and see if I can avoid some of the pitfalls that beset me.
I wanted to do a townscape with a little more edge. This is based on Hope Street in Liverpool with a lot of paring away and more reliance on colour. I did the same scene in 2014 in a more conventional way when I started to do a set of Liverpool nightscenes. I exhibited a few but didnt get much response, though this one sold.
I feel the new version still lacks presence and I need to let go looser when building up the backdrop – so back to the drawing board, or in this case, canvas.
I warned you – another view of Little Crosby in readiness for my exhibition in the old manor hall there next month. This view is further back than the painting in the previous blog and is, as you can see, in a long format. At first I was going to leave out the modern house on the right, but the sun playing on the windows and the shadow cast on the wall was a delight. What I did leave out was the never ending line of traffic, although I toyed with putting a car in the distance, but finally decided against it.
As I said in my last blog I completed one project – now on to the next … . This is a painting for a group show in November. I need eight paintings for it and I already have a couple. The event takes place in the old Manor Hall of Little Crosby. This is a small village set at the northern end of Liverpool. So last Monday morning being bright and sunny I got up early and headed down to the area near the exhibition. I had to take photos of Little Crosby as this small lane gets choked with traffic on the school run – not a place to be painting plein air – I could barely cross the road. This will be one of two paintings of the village. I have painted the scene before and the morning light warming the faces of the stone built cottages – some as old as the 17th century – gives great passages of light and shade. More will follow.