This painting follows on from the one on my previous blog, which was of a cafe just at the end of this street, off to the left. The sun was out on our visit last week, giving great contrasts. This view is with my back to the Catholic Cathedral, facing the looming tower of the Anglican Cathedral ahead. Hope Street connects the two.
I like this scene and have painted it before, but from a higher angle, up on the steps of the catholic cathedral. This one is at street level, capturing the full weight of presence of the Anglican cathedral; glowering at us sinners – well it was just one drink, honest, governor.
I did this scene plein air and posted it a few weeks back. The field of view was much wider on that one as I am a sucker for chimney pots and thought those buildings provided a good coda. This one is much tighter and focusses on the area which really got my interest. The light on the sea in the background also caught my eye when I was strolling along the prom on an earlier occasion. However, when I sat down to paint, the sea was dark, the lighting effect only came out later. Anyway, I included it on this one.
I have been a bit busy sorting out things for my exhibition which I am going to set up tomorrow. This morning I decided to do a sketch from our last day in Bangkok.
We weren’t leaving until the afternoon and as we had held our room we took the boat up to the main riverboat and rapid transport terminal of Sathorn and walked around the streets and alleyways that surrounded the terminal.
The whole placed teemed with activity and industry from cafes to engineering workshops. You get the feel that the skyscrapers are slowly taking over and there were building sites with lorries squeezing into them delivering materials and everyone worked around each other, all quietly going their own way and all the time the highrises crept forward.
All day long trains of barges carrying the city’s rubbish (I’ve been told) are towed down the main river, seaward. The barges are low in the water as they depart the city ( see a train of them below the reflection of the tall building) and then they return. bouyant, like corks. I must find out where it all goes to.
In Siem Reap in Cambodia (the city’s name means Defeat of Thailand – no punches pulled there) we sat in the park with the flying foxes roosting in the trees. Groups of tourists were brought to see them and as the guide spoke , enterprising icecream sales people swooped to feed the stationary tourists.
A few days earlier in Ho Chi Minh City in Vietnam we sat in another park. A group of children sat to my left painting, Tai Chi sessions were everywhere and one man even washed himself,( sorry, I wasnt quick enough with my camera as he shoved the hose pipe down his shorts to clean the nether regions) then cleaned his bike, changed his clothes and after donning a new hat – he wore a grubby old hat whilst cleaning his bike, – rode off into the traffic.
Before Christmas there was a call for paintings of Liverpool for a book entitled The Liverpool Art Book. The authors have done a number of other cities starting with the Cambridge Art Book. They use quirky media such as CAD, collage and screen print etc so I thought my images might be a little staid. I also thought that they would want images of major landmarks.
This week they got back to me and said that they wanted copies of two of my paintings. One was a watercolour that could be of anywhere. I called it Shopping Can Create a Thirst and it was from images taken in Liverpool One (the main shopping area in Liverpool). I was pleased with the painting – but I actually threw it in the entry by accident.
I suppose the second one was more what I thought that they might want – it was a pastel of the area close to the waterfront
It is called Crossing the Strand and shows the Liver Building in the Background.
I have posted both these paintings in the past, but I must admit their selection was a bit of a surprise. Still at least I got two in. The book is supposed to come out later in the year.