With having our own visitors and visiting others, things have been busy of late. We are with friends in the Cotswolds and this morning I got up early and ventured into the fields to do some painting.
It was a dullish morning and generally I would turn over and go back to sleep, but I needed some paintings and it was a new place to explore – so I gave it a try.
Without sun, objects were a bit flat and washes took ages to dry. But despite the problems I wasnt too displeased with the results and came home with wet feet to a well earned breakfast. I can relax for the rest of the day.
On Monday morning the forecast was for a clear start so I got up early hoping to take advantage of the light as we have had some mixed weather of late and are about to get some more rain this week.
I’d decided to cycle to the moss, a low lying, drained area, now mainly now used for agriculture, which is behind the sandy coastal strip where I live. Arriving soon after 5am, to my surprise, the whole place was shrouded in mist.
I decided to make a start near the higher coastal belt, and set up alongside one of the many drainage ditches.
As I worked the mist slowly dispersed and the trees in the background appeared – I thought that they were clouds at the start- and then houses also came into view – though it was too late to include them. The picture directly above was the result. In the damp, cool conditions drying the washes was difficult and parts were still glossy wet when I packed up to leave. I carried the painting open on my bike, hoping to dry it as I wobbled along, searching for another subject. By now the sun was out and I eventually found a path across the fields as a subject shown at the top.
The week before last I was visiting my ailing mother on the southcoast and did some paintings as I sat around beside the sea in between preparing lunch and tea.
The last one is my stepbrother’s cafe in St Leonards, Sussex which I might work up into something more finsihed later.
My last post – a canal scene – caused troll to ouze out from under its stone and lob another tired jibe at my handiwork. Narrowboats, in their opinion are contemptuous and, so naturally, troll’s self bestowed and illogical concept of good art – whatever that means – was affronted and it needed to act.
The upshot of this latest beef is that: I AM DOING ANOTHER CANAL SCENE. So my advice to troll is to slide further beneath the slab as another similar scene may follow this.
I sold a couple of canal scenes recently so stocks are low. This painting shows the gastro pub – the Saracen’s Head – on the Leeds and Liverpool Canal where, these days, more and more narrowboats seem to moor up. It is just a few yards from my last canal-side painting in my preious blog.
I had been working on another version of Shasta daisies I published in May, but things went from bad to worse to unprintable. So last night I started sketching this and it seemed to tumble out. I posted a version of this done on site at the end of May, but the lighting wasnt what I wanted. To get this view – and with it the light – you need to get further back down the canal, so far that the subjects became just dots. So the telephoto lense came in handy here.
I posted this painting, An Autumn Morning in Ainsdale Woods, in 2014 and it was around this time that I sold the original. A week ago a gentleman from Stockholm in Sweden wanted an electronic copy for a wall image in an office complex that they were rennovating. So for a small fee I am sending him a file of this image. I always keep a reasonable sized file of all my work as, in the past, I have had had people rejecting small files for publication and if you have sold the original there isnt much you can do to supply an image that meets their needs. I did think that the size of this file was too small for his purpose, but he was happy that the 5Mbyte file was large enough. He will send me an image of the layout when the project is complete. It will be interesting to see the work in another context.
Spring slowly moves towards summer and my rhododendrons’ buds start to unfold into blousy blooms. I tried this before, last week, but over-emphasised the colours and deadened the image. This version looks a bit weak, but the freshness is retained and the lefthand bloom captures the attention to my satisfaction.
Another from my early morning outdoor starts. I had spotted this the day before and there was much more tonal contrast when I first saw it. I still like it and there might be scope to work this up into a more finished piece.
Some old cottages spotted across the fields. The power cables in the hedge were a good lead in and I was able to sit painting undisturbed whilst taking in the early morning birdsong and sipping my tea.