Another painting from my recent trip into town. This one is of the covered walkway over the shops with the setting sun throwing its rays down the pavement. I tried to paint the trees and buildings in one go and may have been overambitious. I had to subsequently take out colour to signify windows . I feel that there are some successful parts to this and I may have a go at repeating it.
A late entry to my upcoming solo exhibition of flower paintings. I have assembled 16 paintings to show at my framers next week. So I am spending time getting things ready, at the expense of painting.
I must admit to getting a bit down after putting work in a couple of mixed exhibitions of late and selling nothing, but last week I entered another and went to collect my work to find that I had sold three. One of life’s small victories which puts a spring back in your step. So I’m entering this one a bit more optimistically – but only a little bit.
Lord Street is the main street in Southport. Once a thriving shopping venue with covered walkways, today it is blighted with shop closures and lack of footfall.
In the winter, the low sun casts deep shadows and lights up reflective surfaces and makes for a great painting. The other afternoon I thought conditions were right for these perfect images. However, when I got down to the town centre, the sun was still too high to get the impact I was after – I need to wait a little later in the year – but still the contra jour effect of the setting sun gave an arresting image – particularly the lady dodging the traffic.
The joke is that the sea goes so far out here, it always seems like low-tide.
I went down to the beach the other fine day to get some driftwood for a mobile I am making, which hopefully I will post shortly. There were some great cloud formations and whilst I was searching for suitable pieces I managed to find time to snap a few photos and later used them to give you a flavour of the beach here at Southport UK.
I saw this dog by the roadside whilst walking in the Yorkshire Dales this summer. Normally I would tackle such a subject in pastel but what made me paint it was the notion of exploring what kind of textures I could get with watercolour. So it was more of an exercise in techniques than anything else.
Well it’s actually a Drive where I live – but Alan Lerner apparently lived on a street- so you do what you have to, to make the title work.
I was putting the bins out the other day and looked up the Drive to see the autumn sun piercing the remaining leaves on the sycamore trees and patterning the pavement. I thought that it would make a good painting.
I added the dog walker as a focal point. There are plenty of them about as evidence on the pavement abounds.
I have a pile of paintings in my studio that await the resurrection. I have misgivings about them and they wait, hoping that one day I can better resolve them. The first version of this was near the top of that pile. I put it on this blog in April 2018. In that one I felt the the leaf shapes were a bit repetitive and I had them going under one another and coming out the other side, so things got complicated. I also felt some of the panels were a bit dull.
So here is the born-again replacement. The new, more varied, leaf shapes were harder to arrange to get the paneling I required and the greater detail in the nature panels, though more satisfying, might cause confusion.
I have resolved the shortcomings of the first one but may have created new ones – you can but try.
Other townscapes, landscapes and seascapes – but unfortunately no factoryscapes – are available for sale on my website: grahammcquadefineart.com