I apologise for another version of sunlight through trees on consecutive blogs, but in mitigation they are in different media.
I mentioned in previous blogs about walking with a group of French visitors who had come to Southport. On the Saturday we had a sunny walk, taking lunch on the beach at Formby. I posted a painting I did of the scene on 24th October. This is another painting based on views I saw, that day, on our way to lunch, walking through the woods to Formby and then on to the beach. I have done another, very different version of these woods. I’ll post that in my next blog.
I tried to keep this painting very loose; spraying the paper with water and then throwing paint into the dampened area after which I then drew into and painted with a brush. As I was building up layers of paint I spayed in masking fluid both on dry and damp paper at differing times of painting, so the masking fluid covered different colours and tones.
I did the original sitting by the river at the end of June and posted it at the beginning of July but thought that it might be worth having another go in the studio. I loved the different levels the river had created and their shadow lines and the light reflecting off the damp mud. I also scattered some animals about, all of which I had seen as I walked along the river. Having climbed over a fence to get there, solitude and calm abounded on this still summer’s morning.
More paintings for the exhibition. I thought one of the canal might be worth a punt, so I need to chose between these two.
Though I may do a series of canal scenes for later in the year so I could always use the one left over, but – and here’s the good news – I will need a few more to make up a series. That’ll cheer the troll up if nothing else.
Back to the task of getting some paintings for the exhibition at Little Crosby. The Alt is a small tributary to the Mersey, opening out into its estuary, not far from Little Crosby. A number of boats moor up there. This one was done at sunset and is a subject I have painted before. I love the trail of buoys and markers down the watercourse and the reflections and patterns in the vast expanse of wet sand out to the Mersey and Irish sea. At present you can hear the sounds of migrating Canada geese as they feed way out in the distance on the sands. Looking the other way in the morning you get the view below.
The block of flats on the right is an eyesore and I blended it out in the morning sunlight. The houses dont do much either, so I kept them as simple as possible. Hopefully they will appeal to someone, as this is a well visited spot of wildness in a built up area at the north end of Liverpool.
I warned you – another view of Little Crosby in readiness for my exhibition in the old manor hall there next month. This view is further back than the painting in the previous blog and is, as you can see, in a long format. At first I was going to leave out the modern house on the right, but the sun playing on the windows and the shadow cast on the wall was a delight. What I did leave out was the never ending line of traffic, although I toyed with putting a car in the distance, but finally decided against it.
As I said in my last blog I completed one project – now on to the next … . This is a painting for a group show in November. I need eight paintings for it and I already have a couple. The event takes place in the old Manor Hall of Little Crosby. This is a small village set at the northern end of Liverpool. So last Monday morning being bright and sunny I got up early and headed down to the area near the exhibition. I had to take photos of Little Crosby as this small lane gets choked with traffic on the school run – not a place to be painting plein air – I could barely cross the road. This will be one of two paintings of the village. I have painted the scene before and the morning light warming the faces of the stone built cottages – some as old as the 17th century – gives great passages of light and shade. More will follow.
The final painting of my local series on Birkdale is of the main golf course ( one of many around here). It had to be included in a series on Birkdale. I had painted it before, but from the outside and the 1920’s modernist style with its angular shapes is really set off in the morning light. This time I did it from the ‘playing’ side – so it had to be from photos – they dont allow riff-raff like me to trample over their lush greens. I wanted a long format to complement the previous painting I did of New Cut Lane, I posted last week and thought that the long clubhouse would fit the bill, but as you can see below, halfway through I didnt feel it was working and turned to a landscape format. Not too sure about this even, but that completes the series. I now have 14 paintings – so that should be enough. The exhibition isnt until December, so I have time to reconsider and change. Now on to the next project…