In the late rush for replacement paintings to populate the exhibition, I reworked this image which I posted a few years ago. I tried to better meld the buildings with the landscape and simplify the foreground to enhance the feeling of stillness. Whether I did or not, who’s to say, but it’s up on the wall now and a feeling of calm has descended upon my studio allowing a tidy-up for the second time.
I have been a bit busy sorting out things for my exhibition which I am going to set up tomorrow. This morning I decided to do a sketch from our last day in Bangkok.
We weren’t leaving until the afternoon and as we had held our room we took the boat up to the main riverboat and rapid transport terminal of Sathorn and walked around the streets and alleyways that surrounded the terminal.
The whole placed teemed with activity and industry from cafes to engineering workshops. You get the feel that the skyscrapers are slowly taking over and there were building sites with lorries squeezing into them delivering materials and everyone worked around each other, all quietly going their own way and all the time the highrises crept forward.
So spurred on by their encouragement here is another canal-side offering which could feature in my upcoming exhibition. I have done this scene before, but wasnt satisfied with the result. This time I washed in three primary colours onto wet paper and mixed them with water from a spray. You get some lovely misty colour mixes. When dry, I worked specific areas in a similar fashion but without the spray, gradually building up the colours by mixing them on the paper and also increasing the detail.
In the past I stuck to just 3 primary colours, mainly to get cohesion. I was a bit dissatisfied with the results. This time I added other colours in the later stages and I am much happier with the result.
I really like the ethereal early morning quality I have achieved here and may be putting this up next week.
I opened up the local paper today and there was a big spread put out by the venue advertising my exhibition. So just a little pressure.
The exhibition looms and I was unhappy with some of my canal scenes and decided to add a few more and make a decision from a wider field. This is another version of one I did plein air last May/June and posted. I really liked the light on the tarpaulin and the weeds growing around the boat.
All day long trains of barges carrying the city’s rubbish (I’ve been told) are towed down the main river, seaward. The barges are low in the water as they depart the city ( see a train of them below the reflection of the tall building) and then they return. bouyant, like corks. I must find out where it all goes to.
In Siem Reap in Cambodia (the city’s name means Defeat of Thailand – no punches pulled there) we sat in the park with the flying foxes roosting in the trees. Groups of tourists were brought to see them and as the guide spoke , enterprising icecream sales people swooped to feed the stationary tourists.
A few days earlier in Ho Chi Minh City in Vietnam we sat in another park. A group of children sat to my left painting, Tai Chi sessions were everywhere and one man even washed himself,( sorry, I wasnt quick enough with my camera as he shoved the hose pipe down his shorts to clean the nether regions) then cleaned his bike, changed his clothes and after donning a new hat – he wore a grubby old hat whilst cleaning his bike, – rode off into the traffic.
Up at 4-30 today to see the sunrise over Angkor Wat – along with a few thousand others. Waiting for the light I was able to sketch the outlines and make some colour notes. Probably not the most spectacular sunrise, but it was comfortably cool at that hour.
The day before we had tramped through the searing heat and visited some of the other temples in this massive complex. In the 12th century it was reported to be the biggest city on earth. Cracks and leaning buildings are testament to war, not earthquake. The displays of carving are exquisite and there are so many of them.