Just playing around with hard and soft edges. I cobbled together this painting from three photographs I took in Richmond Park some time ago. I tried to keep the painting loose and also vary wet washes with dry brush work and scratching back.
I suppose that this could be me on the bike, but the guy sped past as I was gazing at the scenery. This is another view from the set of paintings I did after an early morning cycle ride in April – other paintings have been posted over the last few weeks. I added the sheep for a bit more animation, but apart from that it is pretty much as it was – a magnificent morning, well apart from the puncture and the walk home.
Two more from my painting trips of last week. Since then I haven’t been out as we have been getting a lot of much needed rain. Presently I am working this sketch of a tree up into a small painting, so I’ll be putting that on the blog soon.
I might even work this one up as well. There is a great view on the other side of the cottage and the overhanging tree and cable poles give it character. Hopefully the good weather will make a comeback, but at least I don’t have to water the garden.
Well, the sun continues to shine, so I’ve been out on my bike again. This is an old track I used to ride down a lot on my way to and from work. I loved the variation of the trees and the line of reeds. After painting this I went back to where I painted Down Holland Farm (earlier post) and found my metal pallet in amongst the stinging nettles.
This one is an old cobbled canal bridge, looking into the sun. I had to stand in the middle of it to paint in order to see the buildings and light on the hedgerow. It is a bridge from an old farm track over the canal to nowhere (I cant understand why it was built) yet as I worked 3 dogwalkers came past, then a pony and trap and finally to people riding horses. Each time I had to move my gear to let them past. It’s tough out on the road, or bridge in this case. Though I might develop this further as I liked the scene and I haven’t done justice to the main tree.
Out in the early morning: this was a bit of a problem, as although the sun was shining, the air temperature was around 2oC. So the washes didn’t try very fast so I did a lot of pacing around whilst the painting sat drying on the grass in the sun. Still it’s great to get out and as I returned home I saw a couple of sites well worth painting on another visit. Always good having somewhere to go rather than wasting time looking around for a subject.
Another image from my early morning cycle ride the other week. I loved the way the buildings become part of the trees, emerging out of the woods. It appears that there is quite a tight chromatic range, but I used more colours on this than the previous paintings where I used just three. Here I used six colours. Not sure if it is very commercial, but I am taken by its earthiness.
With some better weather of late I at last got out to do some painting last night. I cycled inland a little way and painted this 17th century hall and farm which stands by the Leeds Liverpool Canal. The canal is hidden between the foreground – a field of broad beans – and the first row of trees/bushes. I sat on a mound of stinging nettles where I think I left my palette and to round it off I got another puncture. The joys of painting plein air.
It may look familiar and indeed it is. I published a version a week or so ago, but wasn’t very happy with it, so I decided to change the format. I am much happier with the outcome, having got rid of a mass of awkward foreground.