The image of this face reminded me of something you see carved on stone memorials with the sadness of a pieta. I thought that the addition of outstretched arms might convey the wings of this descending spirit and I set it against the bright colour of stained glass to push the spirituality further, though the resulting cruciform seemed enough.
Besides, life sessions are starting around here soon and I thought I needed practice and the different angle of the head appealed. I was going to do so much during this last year on figurative approaches but other things got in the way. Maybe with the pastels out I will have a flick through old sketch books and see if anything appeals.
Other figurative work is available for sale on my website: grahammcquadefineart.com
Love the contrast of the small patches of blue and violet against the other firey colours.
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Great negative shapes too.
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Thanks Chris
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The figure and colors are pleasing, but red and yellow remind me of the less popular set of angels if you know what I mean.
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Not quite sure what you are referring to Eduardo, but if it adds another layer of meaning then I’m all for it. Thanks.
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the blending from red to yellow fine art. Contrast of colour and emotion / mood makes encourages contemplation of some sort.
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Yes, the face is very appealing, and an interesting angle, great work Graham!
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Thanks Tiffany – I find strange and difficult angles really make you look and consider when life drawing – out go all the well documented ratios and proportions and you have to work hard to make things look right.
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Good job on a difficult angle. Very spiritual and evocative. Reminds me of some crucifixion art. Or, the expression and pose of the central subject of Goya’s Third of May came to mind. Also, The Ecstasy of Saint Theresa. Well done!
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Thanks Gail. I wanted the arms raised to evoke wings, but as you say they form a crucifix – but it adds another layer. I hope there is an air of tranquillity – not quite the feeling one gets from the fellow on the receiving end in Goya`s painting.
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Agreed! I was referring to the position of the figure, not necessarily the sentiment. 😊
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