DOG WALKING 2 – ACRYLIC PAINTING

Back in July last year I was sitting in a gallery, doing my stint;  looking after the shop and trying to sell some paintings. It can be pretty slow around here,  so I set up my easel and started painting the picture below. It was based on  photos I had taken on a day walking in the Yorkshire Dales.

I used acrylics and square brushes and painted it during the day.

I was quite pleased with the result. I felt that the subject matter suited the style of painting. Unfortunately the punters dont agree. The painting stayed at my side, despite many attempts to shake it off. So the other day I decided to change the subject matter around and have the people walking towards me.

The actions of a desperate man . …

This, and other paintings are available for sale on my website: grahammcquadefineart.com

SUNLIT CLEARING – WATERCOLOUR PAINTING

Another reprise. A more finished version of our pinewoods in autumn with their mix of conifer and birch. I am not sure of the shaft of light – that might get amended before I frame it.

Other woodland scenes are available on my website: grahammcquadefineart.com

SUNSHINE IN THE PINEWOODS – WATERCOLOUR PAINTING

Regular readers may sense groundhog day, but this is a more finished version of an offering I produced a few weeks ago as part of a set of woodland scenes. As I scratch around for suitable work for a couple of upcoming exhibitions, there may be more of that set coming – so those of an unforgiving disposition should switch off now…

Other woodland scenes are available for sale on my website: grahammcquadefineart.com

SECOND TIME AROUND – WATERCOLOUR PAINTING

I posted this painting, An Autumn Morning in Ainsdale Woods, in 2014 and it was around this time that I sold the original. A week ago a gentleman from Stockholm in Sweden wanted an electronic copy for a wall image in an office complex that they were rennovating. So for a small fee I am sending him a file of this image. I always keep a reasonable sized file of all my work as, in the past, I have had had people rejecting small files for publication and if you have sold the original there isnt much you can do to supply an image that meets their needs. I did think that the size of this file was too small for his purpose, but he was happy that the 5Mbyte file was large enough. He will send me an image of the layout when the project is complete. It will be interesting to see the work in another context.

Other woodland scenes and landscapes are available for sale on my website: grahammcquadefineart.com

THE AUTUMN SUN SWEEPS AINSDALE WOODS – WATERCOLOUR PAINTING

A few loose washes and plenty of splattered masking fluid got this off to a good start. I wanted the smokey luminosity of low autumn sunlight and it seems to have worked at least for the top half. A very similar subject to an earlier painting I posted , but not surprising as they both were from images taken on the same day, but I like the air of mystery in this one.

Other woodland scenes are available for sale on my website: grahammcquadefineart.com

DEEPER INTO THE WOODS – WATERCOLOUR PAINTING

Following on with my woodland series and again featuring the golden birches amid the conifers. I dont think the yellows and oranges work too well against the dull greens so some of the punch is lost. Perhaps I should have reserved more white. Anyway, you can but try.

Other woodland scenes and landscapes are available for sale on my website: grahammcquadefineart.com

SUNSHINE IN AINSDALE WOODS – WATERCOLOUR PAINTING

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I apologise for another version of sunlight through trees on consecutive blogs, but in mitigation they are in different media.

I mentioned in previous blogs about walking with a group of French visitors who had come to Southport. On the Saturday we had a sunny walk, taking lunch on the beach at Formby.  I posted a painting I did of the scene on 24th October. This is another painting based on views I saw, that day, on our way to lunch, walking through the woods to Formby and then on to the beach. I have done another, very different version of  these woods. I’ll post that in my next blog.

I tried to keep this painting very loose; spraying the paper with water and then throwing paint into the dampened area after which I then drew into and painted with a brush. As I was building up layers of paint I spayed in masking fluid both on dry and damp paper at differing times of painting, so the masking fluid covered different colours and tones.

Other scenes of Southport, Liverpool and Formby are available for sale on my website: grahammcquadefineart.com