Another calming painting – well that’s the intention. I did this quickly just to see how it would work out. It comes from a couple of photos taken on an earlier outing when I did some watercolour paintings on a quiet summer’s morning. Hopefully there will be a few more to come, but not this week if the forecast is to be believed.
On Monday morning the forecast was for a clear start so I got up early hoping to take advantage of the light as we have had some mixed weather of late and are about to get some more rain this week.
I’d decided to cycle to the moss, a low lying, drained area, now mainly now used for agriculture, which is behind the sandy coastal strip where I live. Arriving soon after 5am, to my surprise, the whole place was shrouded in mist.
I decided to make a start near the higher coastal belt, and set up alongside one of the many drainage ditches.
As I worked the mist slowly dispersed and the trees in the background appeared – I thought that they were clouds at the start- and then houses also came into view – though it was too late to include them. The picture directly above was the result. In the damp, cool conditions drying the washes was difficult and parts were still glossy wet when I packed up to leave. I carried the painting open on my bike, hoping to dry it as I wobbled along, searching for another subject. By now the sun was out and I eventually found a path across the fields as a subject shown at the top.
The week before last I was visiting my ailing mother on the southcoast and did some paintings as I sat around beside the sea in between preparing lunch and tea.
The last one is my stepbrother’s cafe in St Leonards, Sussex which I might work up into something more finsihed later.
There isnt much across the moss – drained marshland behind the coastal dunes. Even less when the lowland is blanketed with mist and all you can see is a ghostly tree and a row of staggering poles. This was done with loose washes and then a bit of drybrush in the foreground.
Another one in the series of paintings I’m not happy with since I first did them. In this version I hope I adequately captured the chill mist you get in autumn on the low lying reclaimed marshlands. The switchback road, the tilting poles and the scrubby verge which falls away into a deep ditch, all contribute to a feeling of other worldliness where some bring the ghosts in their heads and give them free rein.
In the late rush for replacement paintings to populate the exhibition, I reworked this image which I posted a few years ago. I tried to better meld the buildings with the landscape and simplify the foreground to enhance the feeling of stillness. Whether I did or not, who’s to say, but it’s up on the wall now and a feeling of calm has descended upon my studio allowing a tidy-up for the second time.
Things are getting a bit hectic around here. I am off on holiday shortly and I needed to get an exhibition up and running yesterday. I am also just completing a commission that came in last week and when I come back from holiday I have another exhibition. This painting is for that later exhibition. The exhibition is about the local landscape and I need a bit of time to assess this latest effort and see whether I want to include it. I may be forced to as I need 30 pictures.
Temperature inversions on the low lying land behind Southport causes mist to hover in the morning. The fields drop because of the drainage, but the buildings and roads remain at their original height on their foundations – well most of the time – so you see buildings and roadside trees popping up like figures in a mirage surrounded by haziness.